0.9.62
What's new
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The frame works like the other objects. It has an on and off switch in its group, and below
it the same fill, shadow and glow groups as text, with every option: all gradient types with as
many color stops as you like, presets, and shadow and glow inside or outside. Radial and diamond
gradients run along the frame itself, so every color shows. The frame can also keep a distance
from the edge of the picture. A semi-transparent gradient frame now keeps the opacity you set
instead of turning fainter. -
Warp beyond the edge. The grid, envelope and line warps let you drag the corners and edges
of the picture past its border, like a free transform. The preview shows the part outside
darkened, and applying keeps the picture size, so what was pulled out is cut off. Edges snap
back onto their line when you come close, so they stay straight unless you mean otherwise.
Fixes
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Red eye removal moved to the image brush, next to the eraser, dodge, burn, sponge and replace
color. One click on the pupil removes the red inside the brush circle. Blur, healing brush and
clone stamp no longer carry it. -
In the selection tool, fill, stroke, shadow and glow only show once there is a selection or a
selection layer is picked, since they have nothing to work on before that. -
The size of shadow and glow can now be set to one decimal place, and a new glow starts at size 5
instead of 10. -
DNG files that store their pictures as JPEG XL now show their large embedded preview instead of
a tiny thumbnail. Developing their raw data is not possible yet. -
Double-clicking a slider now returns it to its starting value everywhere. Lens correction,
color grading blend, depth blur, the mask and selection range sliders and two dialog sliders used
to jump to zero instead. Depth blur now starts at zero strength, the same value its reset uses. -
Raw files from the Fujifilm X100VI get better matched brightness and colors.
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The shadow of the paint brush is visible now. It used to sit almost exactly under the stroke,
and its softness and size had next to no effect. The brush starts with a larger shadow offset
and glow size than objects. -
The number fields next to the sliders stand out slightly from the panel, so they are easier to
spot and click. -
While the eyedropper of a color field hovers over the picture, the color field already shows the
color under it. It is only taken over with the click. -
A cropped or rotated picture no longer shrinks on the canvas while you drag an adjustment slider.
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Save as, export, apply adjustments and the other dialogs with a target folder remember whether
you last picked the current or the last folder.